Description
Goddess Gajalakshmi Tanjore Painting 22K gold Takes Its Origin From The Murals Of The Vijayanagara Period (1500-1600 AD) Acquired Its Robust Forms, Architectural Details And Vibrant Colors In This Period.
Maratha Rule In The Next Two Centuries(1600 AD -1800 AD) Brought A Distinctive Style Change To The Thanjavur Paintings. Royal Maratha Artists Combined The Existing Mural Style With Amazing Details Characterized By The Exquisite Workmanship Of Precious Stones And Gold Leaves.
Tanjore Paintings Was Practiced By Two Main Communities Namely – The Rajus Of Tanjore & Trichy, The Naidus Of Madurai.With The Decline Of Dynastic Rule, The Artists (Rajus), Divided Into 3 Groups One Heading To Vuyaioor, The Second Group To Mysore, And The Third Stayed On At Tanjore.
The Styles Developed Were Slightly Different From Each Other. The Emphasis At Tanjore Was On Studded Gems & Gold Leaves. At Vuyaioor Importance Was On The Decorative Garland. In Mysore, The Emphasis Was On Intricate Painting. The Direct Impact On Tanjore Art Begins With The Stationing Of The British Garrison In Thanjavur In 177
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